If you change your height and width scale settings, for example, 2880 x 2 = editing at a resolution of 5760 x 2160, your editor will process all effects and render at this extremely large resolution. The fastest way to edit your footage is NOT to unstrech your using your height and width scale, but by setting the pixel aspect ratio on all of your footage to 2.0 (or 1.3, or 1.5, if you are using a 1.3x anamorphic or a 1.5x anamorphic lens). For example, on the BMPCC 4k, the files are 2880×2160. Even though cameras like the Panasonic GH5, Panasonic SH1 anamorphic, or Blackmagic Pocket Cinema Camera properly recognize anamorphic lenses and de-squeeze the image in your monitor, the actual recorded file will be in 4:3 (or 6:5, for the Blackmagic Ursa Mini) compressed by a factor of 2. To begin, simply drag and drop your footage into your project just like any edit. INJESTING FOOTAGE & SETTING PIXEL ASPECT RATIO Although this guide covers Adobe Creative Cloud (Premiere Pro and After Effects), the settings should be similar in any major editing program. This guide will continue to be built out with new ideas as we run into new situations in filming and editing anamorphic footage for anamorphic footage.
Once you’ve shot your beautiful anamorphic footage, how is it different than editing normal footage? Mostly, it’s pretty straightforward, but there are a few key differences that you need to keep in mind, as well as certain effects that can no longer be used. The Comprehensive Guide to Editing Anamorphic Footage and Anamorphic Visual Effects
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